Oil On Canvas, Real Flavor of Old Masters

All FABRITIUS, Carel 's Paintings
The Painting Names Are Sorted From A to Z


ID Image  Painting (From A to Z)       Details 
74306  
Hagar and the Angel, FABRITIUS, Carel
 
 Hagar and the Angel   Date ca. 1643-1645 Medium Oil on canvas Dimensions 157.5 X 136 cm (62.01 X 53.54 in) cyf
6629  
Self-Portrait 1202, FABRITIUS, Carel
 
 Self-Portrait 1202   c. 1645 Oil on panel, 65 x 49 cm Museum Boymans-van Beuningen, Rotterdam
6630  
Self-Portrait dfhm, FABRITIUS, Carel
 
 Self-Portrait dfhm   Oil on panel, 62 x 51 cm Alte Pinakothek, Munich
6628  
Self-Portrait sfgh, FABRITIUS, Carel
 
 Self-Portrait sfgh   1654 Oil on canvas, 70,5 x 61,5 cm National Gallery, London
6631  
The Beheading of St. John the Baptist dg, FABRITIUS, Carel
 
 The Beheading of St. John the Baptist dg   Oil on canvas Rijksmuseum, Amsterdam
33724  
The Goldfinch, FABRITIUS, Carel
 
 The Goldfinch   mk86 1654 Oil on panel 33.5x22.8cm The Hague,Mauritshuis
21791  
The Goldfinch (mk08), FABRITIUS, Carel
 
 The Goldfinch (mk08)   1654 Oil on panel. 33.5x22.8cm The Hague,Mauritshuis
6627  
The Goldfinch dfgh, FABRITIUS, Carel
 
 The Goldfinch dfgh   1654 Oil on panel, 33,5 x 22,8 Mauritshuis, The Hague
6632  
View of the City of Delft dfg, FABRITIUS, Carel
 
 View of the City of Delft dfg   1652 Oil on canvas, 15,4 x 31,6 cm National Gallery, London
82859  
Young Girl Plucking a Duck, FABRITIUS, Carel
 
 Young Girl Plucking a Duck   Oil on canvas Dimensions 84,1 x 70 cm cyf

FABRITIUS, Carel
Dutch Baroque Era Painter, 1622-1654 Painter. His oeuvre consists of a scant dozen paintings, since research has rigorously discounted many previously attributed works. These few paintings, however, document the painter's unique development within his brief 12-year career. He is often mentioned as being the link between Rembrandt and the Delft school, particularly Pieter de Hooch and Jan Vermeer, whose depiction of light owes much to Fabritius's late works in which his use of cool silvery colours to define forms in space marks a radical departure



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